Community Corner

Did You Know There Was A Wayne Footlighters?

The group produced of a large benefit for the Neighborhood League.

Friday, November 18th, 1949

When we consider from what a small group the Wayne Footlighers started it seems almost impossible to believe that by the end of the short first season membership should number 315! The opening play of the second season was “It Won’t Be Long Now”, given on Tuesday, November 18, and Wednesday, November 19, 1930 at the Saturday Club. Directed by T. Bayard Beatty, it had a cast of sixteen, including DeWitt C. Clement, Alan M. Fishburn, William M. Crook, Howard T. Leland, Laurene Rolf, Harold Dwight, Ruth Wetzel Cady, T. Bertram Genay, Jane E. Gray, Mary Obdyke, Edith McCartney Edrop, Arthur Edrop, Carey P. Williams, Barry E. Thompson, Charles C. Smith and Bayard Beatty, Jr.,

The fame of this rapidly growing organization was spreading. There was much publicity in connection with this play, not only in The Suburban, but in many neighboring weeklies as well as in the Philadelphia newspapers, inlucing three well-known ones that have since vanished from the scene, namely the “Public Ledger”, and the “Philadelphia Record”. Pictures of the large cast appeared not only in The Suburban, but in a number of other suburban newspapers. There were also special feature articles in several publications.

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The December play, “The Vanishing Princess” featured Mary Whetstone, the former Mary Bay, who had had eight years on the professional stage. Given on two nights, this Christmas play had additional attractions in the way of a “Musical divertissement” in which Mrs William McKeever was the violinist; Mrs. Rowland Paull McKinley, the cellist, and Mrs. E. Bisbee Warner, the pianist. On Tuesday evening Franklin Forsht gave the soliloquy from “Hamlet” and on Wednesday evening Margaret Duncan Clark presented a monologue in French-Canadian dialect. This play was directed by Jean Stineman. February one act plays were “Columbine”, produced by Margaret Duncan Clark and “Suppressed Desires” under the direction of Mary Knorr Genay.

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